Why Pupil Conference? by @lit4pleasure

How can teachers provide meaningful and accountable feedback to their pupils despite the pressures of ‘after-the-event’ written feedback? Research (Fisher, 2010, Jean, Tree, & Clark, 2013) indicates that swathes of ‘after-the-event’ written feedback is neither efficient nor effective.


This is a re-blog post originally posted by @lit4pleasure and published with kind permission.

The original post can be found here.

Click here to view all re-blog posts by @Lit4Pleasure
Do you have a blog post which you are proud of? Submit your blog post for reblogging on UKEdChat.com by clicking here.

There appears to be only one effective way and that is through teacher collaboration amongst students – but being a collaborator with students is not the easiest thing for teachers to do. Many teachers do not find this easy. It is safer to detach oneself and work behind a barrier of distance. Maybe some teachers even prefer written-feedback. I don’t know – but as Corbett & Strong (2011) , Smith (1986), Atwell (2015), and Graves (2003) testify, a way to improve children’s writing outcomes is to write with children, not just sharing the product of your own writing (though many teachers don’t even do that) but actually joining the children whilst they are engaged in the process of writing, helping, by advising them on their composition, in real time.

Unfortunately, most children (and many teachers) have never actually seen a writer writing. They can be afflicted by the misconception that writing springs fully formed from an author’s head. They are unaware of the drafts, the blocks, and the alternating frustration and exhilaration. Without allowing children to be in dialogue, in actual collaboration with a writer, in real time, they will find it difficult to learn about these essential tools of the trade. As Smith states (1986, p.199):

‘A lecture or a set of exercises are not an alternative to an apprenticeship. Collaboration empowers students; instruction leaves them dependent.’

Through conferencing, you will be providing, on a daily basis, high-quality teaching to individual students. You will be conducting not only assessment for learning but also assessment of learning. You must be a trusted adult in the eyes of your pupils. Children need to feel secure in a teacher’s presence and assume that they will be interested in their writing, responding  in the first place to what has been written and not to how it has been written. When teachers act only as judges, children produce writing mainly to satisfy the teacher’s requirements, and the writing is nearly always tentative (Tompkins, 2011 p.13). The benefits of a conferencing approach, however is that is can awaken them to the critical role of what John Gatto (2008, p.177) calls ‘feedback loops’. These loops between teacher and pupil create, what Gatto calls, a ‘customised circuit’ which promotes in children self-correction and self-development rather than a slavish need to follow the direction of a teacher’s responses.

How To Conduct Conferences

Circulating the room – It is important to remember that an informal conference with a child need only be 40 seconds long, although it will take longer until the time when both you and the children are familiar with the idea. You should aim to see every writer at least twice a week, which, in experience, is quite manageable – even without the aid of a TA. Ask how the writing is going. Alternatively, ask the children what they feel they need particular help with. Do they have any ‘sticky’ places in the text? Finally, you should formulate a question or suggestion for the author, particularly if you sense that they lack confidence about their topic.

Ask how it is going -> Hear some of what is contained in the piece -> Formulate a question or a suggestion for the author. -> Leave.

A good technique is to play the naïve reader/listener and parrot back what you have learned from listening to an extract, or skim reading the text. This shows your writer that, at this point, you are interested in the topic of their piece and not the transcription. When teachers point out mechanical errors during the drafting stage, they send a false message that mechanical correctness is more important than content (Tompkins, 2011, p.18). Your comments on transcription can wait until a ‘Revision Conference’.

All writers, no matter what their age, need to hear their own words coming back to them. Often, when you repeat back what you have learned from their piece, children go on to give you more information verbally in response and this often finds it way into their writing. However, it’s important to realise you are not there to read the whole piece. Always be early in seeking out the children who seem lacking in confidence. Once children understand what a conference is they may let you know that they do not require one at the present moment, in this case you simply move on to the next child.

Things to remember: Don’t talk more than the writer. Don’t try to redirect the child onto something you find more interesting. Only direct the child onto a different course or subject if it’s clearly not working. Don’t ignore the writer’s original intention for the piece. Try not to supply words or phrases that you like, but if possible quietly guide the writer towards the means of expression. Don’t hesitate to say to a child that you don’t understand or that you’re confused by the subject choice. When you finished a conference, simply mark the child’s book with ‘verbal feedback’.

Learning To Conference: Conferencing Prompt Cards

You may find these cards helpful when starting out on providing pupil conferences, or as an aid to classroom assistants or parent helpers participating in the process.

Revision Conferences

The purpose of revision is to find a significant meaning and make it clear – Donald Murray (2002, p.175).

Children soon come to know that you will talk with them while they are writing. It is a well-known fact that ‘after the event’ responses written in books come too late for children to do anything about them. Verbally conducted revision conferences, on the other hand, provide more opportunity for high-quality teaching, alongside the child, in real time, and allow the child to act on the feedback immediately.

How To Prepare Feedback Ready For Revision Conferences

After school, in preparation for next day’s revision conferences, good writing teachers will step back from a child’s piece and look at the entire draft to see what it could become. They do not rush in and simply edit line by line. In fact, it is the child who edits the piece. Teachers consider the content, the structure, the pace and the form of the piece.

These are the sorts of questions to be considered when receiving a child’s draft:

  • What is the subject?
  • What is the focus?
  • What is the best genre for them to explore their subject?
  • Where is the theme that will carry the reader through the piece?
  • Is it too general? Does the child need something specific to focus on?
  • Is it too long or too short?
  • Where does the child achieve the most clear, consistent and appropriate writing?

After considering these points, simply write very brief notes at the bottom of their page (including any transcriptional problems), ready to share during the child’s  revision conference the next day.Take notes on what the child has done well and identify only one or two teaching points for discussion. Undertaking a revision conference requires skill on the part of the teacher, but this skill will come with practice. It should be noted that these conferences do take longer and you can only really fit up to three into a typical literacy hour, once you have completed your short conferencing commitments.

Once a child has had their conference, they make the revisions and edits on the piece until they are ready to write a final copy. Remember, if it is a particularly strong piece, the child should seriously consider having it published into the class/school book stock.

Pupil Conferencing: The Research

Research References

  • Alexander, R. (2008) ‘Talking, teaching, learning’ in Alexander, R.Essays on Pedagogy, Abingdon, Routledge.
  • Alexander, R. (2008). Towards dialogic teaching. (4th ed). Cambridge: Dialogos.
  • Clark, J. (2010). Why talking in the classroom can be a good thing? In Literacy Today 63: 15 https://0-web.ebscohost.com.brum.beds.ac.uk/ehost/pdfviewer/pdfviewer?hid=107&sid=58116dfe-acf0-4bee-a203-199849af2570%40sessionmgr111&vid=3 (accessed May 2016).
  • Maybin, J. (2006) Children’s Voices: Talk, Knowledge and Identity, Basingstoke, Palgrave MacMillan.
  • Mercer, N. and Littleton, K. (2007) Dialogue and the Development of Children’s Thinking: A Sociocultural Approach London:Routledge
  • Myhill, D., (2006). Talk, talk, talk: Teaching and learning in whole class discourse In Research Papers in Education 21, no. 1: 19–41.
  • Nguyen, H. (2007) Rapport building in language instruction: A microanalysis of the multiple resources in teacher talk InLanguage and Education 21: 284-303
  • Norton, B. (2000) ‘Claiming the right to speak in classrooms and communities’ in Identity And Language Learning: Gender, Ethnicity And Educational Change, London, Pearson Education.
  • Nystrand, M., (2006) Research on the role of classroom discourse as it affects reading comprehension In Research in the Teaching of English 40: 392-412
  • Wenger, E., (1998) Communities of Practice: Learning, Meaning and Identity Cambridge: Cambridge University Press
  • Wertsch, J. V. (1994) The primacy of mediated action in sociocultural studies In Mind, Culture & Activity, 1: 202-208

You need to or Register to bookmark/favorite this content.

About Literacy For Pleasure 13 Articles
This blog is written and run by two UK Primary School Teachers. We both work in the same class in KS2 – one as a TA and the other as the class teacher. Our school is a very ‘normal’ Local Authority State School. Biography 1 I studied French and Russian at Birmingham University, and later gained two MAs, one in Linguistics and the other in Children’s Literature. I am a serving Primary school teacher of many years’ experience. I have worked in both the maintained and the independent sectors as SENCO and Deputy Head. With a strong background in language and literacy I have worked with School’s Television, developing storypacks to support children new to English. I am currently interested in the possibilities of teaching literacy through process writing throughout the Primary phase of schooling. I began my teaching life on a Wednesday morning in a tiny Victorian school building inside a square of iron railings up a backstreet in Handsworth, Birmingham. I was there because I needed to earn some money to support myself in beginning a Ph D, and the Education Office had sent me to St. Silas’ C. of E. school where they had no teacher for ‘Infant 2’. Thus I found myself on that day without preparation, training or support, required immediately to take charge of a class of thirty six infants, some of whom were new to English. I can’t remember exactly how I passed the day, but I do recall that the next day I took in my copies of ‘Winnie the Pooh’ and ‘Just-so Stories’ because I had loved them as a child. Amazingly, they went down well. After this initial baptism of fire, followed by several months of surviving mainly by picking up tips from other teachers, I gradually began to feel that I might be getting somewhere. In the end, ‘Infant 2’ won out over the urban poetry of Baudelaire. I have never regretted this development. Later, doing an MA in linguistics and one in children’s literature gave me an academic background which convinced me of the rightness of the psycholinguistic theory of reading and writing, which foregrounds the achievement of meaning and communication. This has always been the one for me and I’ve based my teaching on it. I’ve stayed firmly in the classroom because there is no better place to discover and try out ways of enabling children to read and write with enjoyment and commitment. Through this website I am hoping to share the kinds of “quality” experiences we can give children at home and school which might create and enhance for them the pleasures of being literate. Biography 2 I studied Primary Education with History & Geography as my specialism, at The University Of Brighton, and later gained an MA in Education with Linguistics. I am a serving Primary school teacher of around five years experience. I have worked in both the maintained and independent sectors. When I was young, I didn’t realise that literature and the written word were for me to use or enjoy. If I can be honest with my reader for a moment – I very often still don’t. However, everyday, I’m turning what feels like a foggy day into bright sunshine alongside the children in my class. This history, I feel, puts me in an excellent position to give children writing advice because it is very likely I’ve been through their writing issue recently myself. I now write often. I’m finding my writing voice all the time and now I am teaching children how to find theirs too. As a result, you can understand why I am currently so interested in the possibilities of teaching writing as a craft and creating a learning environment which produces: readers and writers for life and children who can use writing to act out onto the world (for a multiple of reasons and for many different audiences). I want children to enter the literacy club as early as possible, so they have control of it and can use it effectively and for pleasure in their futures.

Be the first to comment

Leave a Reply

Your email address will not be published.


*