Picture books – who needs them? by @lit4pleasure

Enjoying the opportunities of picture books

Babies need picture books. I recently watched a little boy, not much more than a year old, sitting in his buggy on the bus, poring over the pages of a board book edition of ‘Each, peach, pear, plum’. Pre-schoolers make a beeline for the picture book boxes in our local library. But do picture books take a back seat when reading scheme books become the major reading currency in many Infant classrooms? (In my experience, children can learn to read from picture books alone, given the necessary support.) And do picture books continue to be promoted all the way up the Primary School, or are they progressively disregarded and not seen as the complex literary genre, which they certainly are?


What’s the big deal?


Picture books are surely for all ages. They can be a powerful way into important issues. They can illustrate a society’s values (and sometimes subvert them, as in ’Willy the Wimp’, for example). Some can be read on different levels and have layers of meaning (Where the Wild Things Are). A key picture book can be instrumental in helping a child to read, which happened in my experience with a dyslexic boy, whose first real access to a text came when he encountered ‘Going West’, by Martin Waddell. In this book, which has deeply significant meanings, words and pictures work so well together that he simply understood how the text was going to go and was word-perfect at his first reading. He read it every day for a week.

Reading a good picture book can be a very satisfying literary experience. You as the reader have to learn to decode visual images as well as written text and do plenty of gap-filling. And of course, looking at pictures is a pleasant activity in itself, and so is handling an art object, as so many picture books are!

Image: A Cat Can't Count via kidlitartlover on Flickr (CC BY-ND 2.0)
Image: A Cat Can’t Count via kidlitartlover on Flickr (CC BY-ND 2.0)

A quick guide on how to identify the best

  • Good title and cover illustration.
  • High-quality illustrations throughout.
  • Pictures don’t echo the text but combine with the words to create meaning.
  • Pictures invite visual decoding to tell the story.
  • The book can be ‘read’ before written text is really mastered.
  • Pictures carry meaning & information not necessarily explicit in the text.
  • Language works on different levels. May offer a sub-text.
  • Can be interpreted in different ways.
  • Have something to say, and the power to entertain.

Here are some books which show many of these features and can be enjoyed by varying ages (3-99+).

We give you the titles only here. This is because we’d like you to identify the important features they have from the list above. Please note that just because these are picture books they are by no means always an easy read – they are hugely rich and multifaceted though. For more recommended titles please visit here.

Tired of Biff & Chip? Picture books can do the work better!

Why is this a good idea?

  • Good picture books are intrinsically more interesting and appealing.
  • These books will become important, well-loved and returned to. They will be enjoyed as literature.
  • Picture books create life-long lovers of books. Reading schemes don’t.
  • They offer the best possibility for a child to make meaning (the primary drive in learning to read!)
  • They allow children to behave as real readers, not just decoders of print.
  • You will enjoy them too.

This is a re-blog post originally posted by @lit4pleasure and published with kind permission. The article was originally published in 2015, and updated in 2019 by UKEd Editorial in accordance with website policy and upgrade changes.

The original post can be found here.

Click here to view all re-blog posts by @Lit4Pleasure

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About Literacy For Pleasure 13 Articles
This blog is written and run by two UK Primary School Teachers. We both work in the same class in KS2 – one as a TA and the other as the class teacher. Our school is a very ‘normal’ Local Authority State School. Biography 1 I studied French and Russian at Birmingham University, and later gained two MAs, one in Linguistics and the other in Children’s Literature. I am a serving Primary school teacher of many years’ experience. I have worked in both the maintained and the independent sectors as SENCO and Deputy Head. With a strong background in language and literacy I have worked with School’s Television, developing storypacks to support children new to English. I am currently interested in the possibilities of teaching literacy through process writing throughout the Primary phase of schooling. I began my teaching life on a Wednesday morning in a tiny Victorian school building inside a square of iron railings up a backstreet in Handsworth, Birmingham. I was there because I needed to earn some money to support myself in beginning a Ph D, and the Education Office had sent me to St. Silas’ C. of E. school where they had no teacher for ‘Infant 2’. Thus I found myself on that day without preparation, training or support, required immediately to take charge of a class of thirty six infants, some of whom were new to English. I can’t remember exactly how I passed the day, but I do recall that the next day I took in my copies of ‘Winnie the Pooh’ and ‘Just-so Stories’ because I had loved them as a child. Amazingly, they went down well. After this initial baptism of fire, followed by several months of surviving mainly by picking up tips from other teachers, I gradually began to feel that I might be getting somewhere. In the end, ‘Infant 2’ won out over the urban poetry of Baudelaire. I have never regretted this development. Later, doing an MA in linguistics and one in children’s literature gave me an academic background which convinced me of the rightness of the psycholinguistic theory of reading and writing, which foregrounds the achievement of meaning and communication. This has always been the one for me and I’ve based my teaching on it. I’ve stayed firmly in the classroom because there is no better place to discover and try out ways of enabling children to read and write with enjoyment and commitment. Through this website I am hoping to share the kinds of “quality” experiences we can give children at home and school which might create and enhance for them the pleasures of being literate. Biography 2 I studied Primary Education with History & Geography as my specialism, at The University Of Brighton, and later gained an MA in Education with Linguistics. I am a serving Primary school teacher of around five years experience. I have worked in both the maintained and independent sectors. When I was young, I didn’t realise that literature and the written word were for me to use or enjoy. If I can be honest with my reader for a moment – I very often still don’t. However, everyday, I’m turning what feels like a foggy day into bright sunshine alongside the children in my class. This history, I feel, puts me in an excellent position to give children writing advice because it is very likely I’ve been through their writing issue recently myself. I now write often. I’m finding my writing voice all the time and now I am teaching children how to find theirs too. As a result, you can understand why I am currently so interested in the possibilities of teaching writing as a craft and creating a learning environment which produces: readers and writers for life and children who can use writing to act out onto the world (for a multiple of reasons and for many different audiences). I want children to enter the literacy club as early as possible, so they have control of it and can use it effectively and for pleasure in their futures.

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